The Toss of a Lemon - Padma Viswanathan
To begin with, it was the bright yellow lemon on the cover
that drew me to the book. At the start of the new year (2017) I thought I would
begin my reading journey with a book I had never heard of, by an author never
read earlier. It turned out to be an interesting find.
Admittedly the first hundred pages or so, I wasn’t drawn
into the story, but it gradually drew me in. This hefty
epic novel (over 600 pages) is about a Brahmin Indian family, spanning three
generations -beginning in 1896. The author's idea for the book was based on
stories told to her by her grandmother over the years, but it is fictional and
only loosely based on the stories of her ancestors.
It was fascinating to read about a
world very different and unfamiliar to me. The rituals, routines and
puritanical customs of a Brahmin family are handled with a well-crafted
elegance. Enveloping three generations, the author handles the complexities
that arises from social, cultural, religious and personal politics that engulf
their individual lives.
This novel begins when the family of a ten year old girl journeys to
consult a renowned Brahmin who is a healer and astrologer about finding a good
husband for their daughter. The handsome, young sage falls in love with her
instantly and offers to marry her himself. Though there is a possibility that
he may die in the ninth year of their marriage, the family is pleased with such
an auspicious match and gets their daughter married to him. Ten-year old Sivakami, is married off, she becomes a widow at
age eighteen, and is left alone with two young children.Thus
begins Sivakami's fate as a woman, mother, widow, auntie, grandmother and so
on.
As a Brahmin widow there are many traditional rituals and
customs that had to be strictly adhered to. For instance, a Brahmin widow has to
shave her head, wear no jewellery, wears only white, doesn’t eat with others,
shouldn’t “contaminate” others by touching them and so on. Despite all these
restrictions, Sivakami defies tradition and very determinedly brings up her two children – Thangam and
Vairum (their names literally means ‘gold’ and ‘silver’) by continuing to live
in her husband’s house and overseeing the property left behind by him. She is
helped in all her work by Muchami (he is a closeted gay), who was
chosen with a certain foresight by her deceased husband to be a loyal and
faithful aide in everything she would have to do in his absence.
This book does a wonderful job in bringing a clear historical sense of India's caste system and its slow, partial
demise with the growth of Sivakami’s family. Both her children get married
later on. Thangam, delivers a brood of children while Vairum remains childless.
The inefficiency of Thangam’s husband to cater to the needs of his ever growing
family causes Sivakami to look after some the kids herself. (P.S. I had to keep
noting down the family tree in order to keep track of all the names.)
Different roles, both traditional and
modern are represented, yet they never seem to stagnate and instead are brought to
life through unexpected relationships and intriguing character depth. The slow
and lingering depiction of change within Indian tradition is a delight to
witness, as it unfolds in what seemed to me a very natural and gradual way.
A lot of care has gone into writing
this novel and would be a good recommendation for a patient reader, and one who
would like to be immersed in the life of a Brahmin family as it passes through
a turbulent history – both within walls of the community and in a nation that
would soon become independent.
1 comment:
Sne, I think I will certainly read this book. Thank you for the post. I love long books and this backdrop is quite familiar.
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